Batman Begins Review

Ever since I watched Richard Donner's Superman: The Movie way back in December of 1978, I've had a somewhat ambivalent attitude about comic book-based movie franchises which start out with a great or at least solid first installment, then begin to decline in both quality and coherence of vision.

That's what happened with both the Superman and Batman film franchises during the early 1980s and mid-1990s.  Each series began with very successful box-office winners (even though Tim Burton's take on Batman was more artistically surreal than Donner's depiction of Superman), then was run into the proverbial ground as new directors were brought in by Warner Bros. and gave audiences increasinly inept films (Superman IV: The Quest for Peace; Batman & Robin).

So badly had Warner Bros. handled its two DC Comics superheroes that I didn't go see either Batman Begins (2005) or Superman Returns (2006) in theaters, opting instead to watch Sam Raimi's Spider-Man trilogy or wait till I could get at least Bryan Singer's Superman Returns on DVD as a Christmas gift.

My attitude about Batman Begins changed late in 2008 when I heard about Heath Ledger's premature death after he had worked on The Dark Knight as the infamous Joker.  Everywhere I looked - TV entertainment shows, Amazon, and various review sites - I would see or hear how brilliant Ledger's performance had been, and even though he was not one of my favorite "must-see" actors, I liked him well enough in 2000's The Patriot  that I decided I'd get The Dark Knight on Blu-ray.

The problem with that plan was that I had not seen Batman Begins, and since The Dark Knight is a continuation of the storyline introduced in that 2005 movie, I would have to see it first.

Somewhat apprehensively, I boogied down over to eBay and looked over the various Blu-ray offerings of Batman Begins. I examined various options, including the plain-vanilla one-disc Blu-ray version, but ended up buying the Limited Edition Gift Set, (It actually was slightly cheaper than other versions!)

Henri Ducard: You traveled the world... Now you must journey inwards... to what you really fear... it's inside you... there is no turning back. Your parents' death was not your fault. Your training is nothing. The will is everything. If you make yourself more than just a man, if you devote yourself to an ideal, you become something else entirely. Are you ready to begin?

Directed by Christopher Nolan (Memento), Batman Begins, as the title implies, is essentially the "origins" installment of the saga, doing to the Caped Crusader what Donner's Superman: The Movie did for the Man of Steel over 30 years ago. 

Starring Christian Bale (Empire of the Sun, Terminator Salvation) in the dual role of billionaire Bruce Wayne/Batman, Nolan's reimagining of the beginning of the Dark Knight saga borrows heavily from Bob Kane's original 1930s comic book story and Frank Miller's 1980s graphic novels.

The movie, co-written by Nolan and David S. Goyer (Dark City, Blade) opens with a flashback that takes the viewer back to when Bruce Wayne was eight years old and living in Wayne Manor with his parents Thomas (Linus Roache) and Martha (Sara Stewart).

While playing with his friend Rachel Dawes, Bruce falls into a well and not only breaks his arm, but he frightens a colony of bats that lives within.  The bats, naturally, instinctively flutter all around Bruce and act in self-defense, but the boy (played excellently by Gus Lewis) thinks they're attacking him and develops a deep-seated phobia to the leathery-winged mammals.

But instead of showing the viewer a straight narrative in chronological order, the first act of Batman Begins eases smoothly back and forth over the next two decades in Bruce Wayne's life, focusing on his agonizing search for justice and enlightenment after his parents' senseless murder by a small-time street hood named Joe Chill (Richard Brake).

Bruce blames himself for his parents' death - his fear of bats caused him to ask Thomas and Martha to leave a performance of The Bat at the Gotham City Opera early, thus placing them in Chill's path in the alley outside - and seeks to avenge it somehow, someday.

But after Bruce graduates from university some years later, his plans for personal revenge go south, big time.  After Chill is released from prison at a parole hearing, the two-bit street thug is shot by an assassin hired by Gotham City mob boss Carmine Falcone (Tom Wilkinson), a man Bruce loathes as a corruptor of the city his father helped to rebuild after an economic depression and one of the "true powers" in the city's criminal community.

Bruce travels throughout the world incognito, leaving behind Wayne Manor, Wayne Enterprises, his guardian/butler Alfred Pennyworth (Michael Caine) and his now grown up friend Rachel Dawes (Katie Holmes).   He wants to delve into the criminal mindset to better combat it, so in his trek he commits petty acts of theft and gets himself thrown into prison in various countries, including China.

That's where Bruce meets with Henri Ducard (Liam Neeson), a mysterious figure who approaches him in a Chinese prison.  Ducard apparently knows a great deal about young Wayne and impressed by his fighting skills, and ends up trying to recruit him into a secret ninja-like group known as the League of Shadows.

Ducard introduces Bruce to the League's leader, Ra's al Ghul (Ken Watanabe) and trains him as a warrior against crime, which Ducard believes must be fought ruthlessly.

But once Bruce is skilled enough to stand toe-to-toe with his mentor, he decides that the League of Shadows is not for him when he's asked to execute a prisoner.  Not only that, he balks even more strongly when Ra's and Ducard tell him why he was really trained, which leads to an extremely violent and deadly falling out between young Wayne and his former mentors.

The rest of Batman Begins focuses on Bruce's return to Gotham City, where he not only rejoins Wayne Enterprises and creates an image of a self-indulgent playboy, but he starts the process of becoming the crime fighter known as the Batman.

Henri Ducard: Your compassion is a weakness your enemies will not share.
Bruce Wayne: That's why it's so important. It separates us from them.

Batman Begins sets up what may eventually be a trilogy or even a longer series of films featuring one of the icons of American pop culture with wit and style.  It "introduces"  Batman's network of allies, including tech whiz Lucius Fox (Morgan Freeman), Sgt.  Jim Gordon (Gary Oldman), Assistant DA Rachel Dawes (the only non-canon character, she was created by Goyer and Nolan for the movies) and his loyal butler/father figure, Alfred. 

Of course, Batman's arsenal of weapons, vehicles and the iconic Batsuit is here, too, reimagined by the film's designers with a more real-world feel than those in previous movie and TV incarnations.

Just as important as Batman and his friends in law enforcement are to the movie, so are the villains of Batman Begins. Not only does Bruce Wayne have to contend with thugs, drug dealers and gangsters such as Falcone, but he also has to deal with the crafty Dr. Jonathan Crane (Cillian Murphy), who uses his position as a staff member of Gotham's Arkham Asylum to perform mind-bending experiments with drugs.  Crane, who terrorizes the city as arch-villain Scarecrow, is unctuous and ruthless.



My Viewpoint: Considering how low the Batman film franchise had fallen because of the garish style-over-story approach of Messrs. Burton and Schumacher, it is good to see that Nolan, a wunderkind (he's only in his late 30s) decided to give viewers a well-written "origins of" film. 

Batman Begins not only explains the psychological and emotional underpinnings of the Bruce Wayne/Batman duality, but Nolan gives Batman's world more of a real world feel.

In some ways, Batman Begins harkens back to that other DC Comics film franchise starter Superman: The Movie.  Nolan and Goyer not only followed Richard Donner's lead by casting talented A-list actors such as Bales, Caine, Freeman, Goldman (playing a good guy, for a change) and Neeson, but they decided to make Gotham City more realistic by shooting parts of it on location in Chicago as well as in sound stages in London.  Everything that Batman takes its cues from real-life military applications, and the stuff has a prototype look to it as well.  (Pay close attention to The Dark Knight and you'll see what I mean.)

The verisimilitude approach Donner used in Superman is also evident in the approach Nolan uses in Batman Begins. 

Yes, the screenplay is full of witty bon mots and memorable verbal duels, but never do the actors play to the camera or camp it up in a hammy fashion.  The viewer is sucked in to the story from the minute those bats fly across that red sky and form the Batman logo all the way to the end credits....and has his or her appetite whetted for The Dark Knight.  

Although I'm not a huge fan of comic book films, I really like Batman Begins, especially since I have it on the High Definition Blu-ray format and can appreciate the gritty look and effective lighting scheme  Nolan and his crew used in filming the movie.